Braddon in Bohemia

November 4th's session was a 'sensational' success, in the main because of the (at times) thrilling yarn Mary Elizabeth Braddon provided us in Eleanor's Victory (1863), written while she was living in 26 Mecklenburgh Square. Featuring a vivid, even sensual, portrait of The Colonnade, a cobbled mews road that can be found still between two much grander streets between Russell and Brunswick squares, the novel found in 1850s Bloomsbury a bohemianism we might have imagined did not feature until a few decades later. Exploring reviews from the period proved particularly fun, and we found not a few points of congruence, both in terms of critique for its plot and character implausibilities, as well as praise for its stylistic fluency and emotional intelligence. The ideologically and generically driven ending means that Eleanor might not quite be a female Hamlet, though, we felt she makes a very valiant attempt at such a role.

Gissing in Gower Place

On Thursday 7th October, we had the grim satisfaction of discussing Gissing's first novel, Workers in the Dawn (1880), in the vicinity of the Reading Room he made his own in New Grub Street - grim, in that the Bloomsbury he offered us was generally rainy, alcoholic, and with few obvious means of amelioration; satisfying, in that the convivial atmosphere of the Old Sanskrit Library meant that by constrast we felt noticeably less alienated and desperate than the protagonist Arthur Golding does towards the end of the novel. We had the pleasure of comparing London Library editions with the new paperback out in Broadview Press, another plug for which excellent commodity seems justified, seeing as one of our regulars, Professor Richard Dennis, has contributed a map to it...

Dates for Autumn Term 2010

Following a very successful move to the Old Sanskrit Room in the British Museum - with thanks to Joanna Bowring - we've decided to stay there for the coming term, as well as continuing with Thursday rather than Monday. There will be three sessions before the end of 2010 as follows:

Thursday October 7th: George Gissing's Workers in the Dawn (1880) - new Broadview paperback edition recommended, as it contains a cartographical contribution from one of our reading group regulars, Professor Richard Dennis.

Thursday November 4th: Mary Elizabeth Braddon's Eleanor's Victory (1863)

Thursday December 2nd: William Morris's News from Nowhere (1890)

The sessions begin at 6pm and are always over by 8pm - some refreshments will be provided, though you are welcome, as always, to bring more.

Dickens in the British Museum - July 15th 2010

I'm very pleased to announce that the next session for the reading group has been scheduled for Thursday July 15th 2010, 6pm, and will take place in a new venue - the Old Sanskrit Library, in the British Museum. Dickens used the Museum's reading rooms throughout his writing career, whose full stretch will be represented in the texts chosen for this occasion - we'll be discussing two short stories from the early 1830s ('The Boarding House' and 'The Bloomsbury Christening') that can be found in his Sketches by Boz (1836-7) as well as his great and stimulatingly incomplete last novel The Mystery of Edwin Drood (1870). Apologies again to those of you who've already done this reading and have been itching to talk about it since the session back in May was unfortunately postponed - hopefully the prospect of being shown the precise place where Dickens tended to work will go some way to compensate for this wait.

Stevenson - Tontines in John Street

On Monday 22nd March 2010, we took a comic turn, and discussed The Wrong Box (1889), a novel penned by Robert Louis Stevenson and his step-son Lloyd Osborne, whose plot revolves around the two survivors of a tontine scheme, one of whom (Joseph Finsbury) lives in a gloomy house in John Street, Bloomsbury, with his avaricious relatives. We couldn't resist showing the 1966 film of the book, which stars Tony Hancock and Peter Sellars, as well as Michael Caine, who you can see in my grainy reproduction of the poster. The movie, we all agreed, preserves something of the grotesque dark humour of the original, though the careful geography of Stephenson's book has been dispensed with entirely: instead of employing Bloomsbury among other specifically meaningful places within nineteenth-century London, the film houses the brothers next door to each other in a proto-Wodehousian undefined England. Though not alluded to in the script, the street struck us as being not unlike the Royal Crescent in Bath...

Mrs Humphry Ward - Marcella in model dwellings

On Monday 22nd February 2010 we explored a novel by Mrs Humphry Ward, Marcella (1894). This politically engaged (if also politically mystifying) novel has its titular character live for a period as a district nurse in what are clearly the Peabody model dwellings in what is now Herbrand Street. Bloomsbury's status as a threshold between east and west, rich and poor, became a fruitful topic of conversation, as we discussed the novel's intent depiction of the area's poor Jewish immigrant population and their housing, and the eighteenth-century townhouses to the south and east of Russell Square that had declined into multi-occupancy almost-slums by this end of the nineeteenth century.

Trollope - Lady Anna in Bedford Square

On Monday 18th January 2010 we enjoyed our first session of the reading group in Foster Court, UCL. We looked at Anthony Trollope's Lady Anna (1874), one of his lesser known novels, whose legally-themed plot is mostly enacted within a small nexus of Bloomsbury streets. We explored the novel's rendering of the complex interaction of class identity and urban space, by the way characters in the novel are placed (and place themselves) within London's local geography, and we thought about the representation of Keppel Street in Lady Anna, the street in which Trollope was himself born. We also compared our own ideas about the success or otherwise of the novel - and about its feisty heroine! - with some reviews that appeared in the periodical press in the immediate wake of its first publication.